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ILLUMINATION
I saw a play last night.
Illumination Rounds. It was written primarily by Josh Liveright, and it features he and Sonja Rzespki, and is Directed by Paul Smithyman. That fact that Josh’s son,
Bodhi, is Sam’s best friend suggests to me the inspiration both kids will get from these illustrious parents. Instead of Jackson Pollack and Jasper Johns sitting around the Cedar Bar plotting the destruction of Art as we know it (and, not incidentally, the creation of something transcendent), we have Josh and Sonja and Paul playing with their two-year-olds and negotiating
playground rituals(and, not incidentally, creating something transcendent). Seems appropriate somehow.
The photo above was taken on the set of
Illumination Rounds (click it to see it better). It is a dangerous play, on a lot of levels. The most obvious is that it takes place during the upcoming American Civil War, during a pitched battle outside of Independence Hall, and it concerns a suicide bomber (my daughter), and a journalist (Josh), trapped in a hell made possible by our current terrorist-loving President. I think it’s an important play, and speaks to the increasingly critical need for all of us to begin to understand despair.
We need to know what’s happening out there, and to know what brings people to use suicide as a weapon. It’s not a popular subject; except in its ideological aspects (by both sides). But I do feel it’s something we need to come to grips with. In our current climate of political trepidation, I actually had friends who were nervous even about me sending the postcard announcement to them in the mail: the card shows a picture of Independence Hall with an assault weapon trained on it…
I left the theatre deeply moved. And thinking of Sam, and his upcoming departure.
My heart aches for those who have lost their children to war; I have attached a photo of lost children in Iraq that I can't get out of my head (so please avoid it if you don't wanna get crazy as me). It is a despair
too great to bear. To hell with ideologies and all that crap, I’d want simple revenge. I would want to kill.
But Sam is still very much alive, and about to spend a year in a beautiful part of the world with parents who dearly love him, and who will be able to devote all their time to him. It’s extraordinarily wonderful. I do not mean to suggest that the perspective of Illumination Rounds should belittle my sadness of Sam leaving, nor does it make me feel guilty (“See?? You’re lucky he’s still alive!!”). What it does say to me is that all life is a desire to understand. Whether it is for survival, or for enlightenment, our need to understand seems to me the basis for just about everything. What Sam’s leaving does for me, and what I re-learned from my night at the theatre, is that the gift he brings to me by his leaving is to help me understand. I’m now a little bit closer to that Polish old man standing on the docks at the turn of the century waving goodbye to his emigrating children knowing he will never see them again. The old man's pain is exponentially greater than mine, but my small pain helps me understand what he gave up. I now have a very very very tiny understanding of the emptiness that comes from a child’s loss, and if that loss is from war, from violence…. No, I’m not there yet.
[I should note here that we humans are incredibly selfish beasts, and as such we see everything through our own needs; at least that’s what I do. So it’s important for the sake of critical accuracy, at the very least, that I tell you that their little play is about a lot more than what I’ve hinted at above. Its primary appeal to me is that it directly tackles the most important question of our time: why do we love war so much? Is it true that we need war to define us? Must that always be the case? I hope the play continues to live, and be seen. It has something to say.]
Where was I? Oh yeah, ruminating. Well, in our attempts to figure out how best to help Sam with the transition, we’ve been consulting with various child experts, and have come up with a few thoughts. The first is that we’ve been charged with making picture books for him. Each should focus on a particular set of activities, something like I’ve done here (Sam Goes to The Zoo with Grandpa), and make sure to include daily routines with both Grandma and Grandpa. Nice idea. Looking back on John’s childhood, I wish we had more photos of him on ‘non-special’ occasions.
Like blowing
bubbles. Sam was absolutely insistent that he could do this completely on his own, and mostly succeeded. I did not get the best picture: him pouring the soap solution bemusedly onto his pants…. Luckily, he didn’t lose
all of it. He still found a
good few bubbles left in that bottle.
Or helping with the laundry. I get so used to taking Sam away on adventures that I sometimes forget how much of an adventure it is to just have him help with the chores. During one laundry run, Sam insisted on bringing
his own basket of laundry.
And folding clothes with
Sam frolicking in them can be very difficult.
And fun.
During the past few weeks as Sonja and Paul became increasingly more involved in Illumination Rounds and Mary and I found ourselves putting him to bed on a relatively frequent basis, Sam has had some interesting ways of dealing with this. There were times when it was clearly hard for him, and he would whimper, or keep repeating that “Sam lost Mommy.” But it never lasted long, and he was always happy when his parents returned home (even if to Sam it was the next morning). But on two occasions he insisted that he be wrapped in a towel, and
fell asleeep like that. Now, it makes for great
swaddling-like messianic
photos, but I was hard-pressed to understand why he felt it so comforting and necessary. Then Mary reminded me of
this photo, from a year ago.
He just wanted to be reminded of his happiest moments with his Mom; after the bath, cuddling.
And finally, speaking of nostalgia (the kid is only two years old! And I’m already using words like nostalgia!!!??? I gotta get me a life), remember this one from back in
June of 2003? Well, Sam still loves
popsicles, even in the winter.